Chapter 9
Make patterns
Record in real time or with TR-REC, edit to the note, automate effects, chain and bounce.
Written in our own words from Reference Manual pp. 64–88. Roland’s manuals
In this chapter · 17
- 9.1Play back your patterns
- 9.2Record a pattern as you play
- 9.3Get a count-in and a click
- 9.4Program steps with TR-REC
- 9.5Split a step into quick repeats
- 9.6Fix single notes with Microscope
- 9.7Tap notes in from the REC button
- 9.8Tighten the timing after recording
- 9.9Record rolls into a pattern
- 9.10Automate your effect moves
- 9.11Automate pad mutes
- 9.12Change a pattern’s tempo, loop and length
- 9.13Cut a pattern down to size
- 9.14Switch pattern banks
- 9.15String patterns into a chain
- 9.16Turn a pattern into a sample
- 9.17Swap, copy, extract and delete patterns
Play back your patterns
A pattern is a record of which samples played and when, stored on a pad. It holds performance data rather than audio, which is why you bounce or resample it when you need an actual sample (Turn a pattern into a sample).
Press PATTERN SELECT and the pads stop playing samples and start calling up patterns instead. This guide calls that pattern mode.
Start and stop a pattern
- Press PATTERN SELECT. The screen reads
SELECTand shows the pattern’s BPM, and every pad holding a pattern turns purple. - Press a purple pad. The pattern starts and its pad lights white.
- To stop, press the white pad again or press EXIT.
Moving between patterns
- Queue the next one: press another pad while a pattern plays. It waits in standby and takes over when the current pattern reaches its end.
- Change straight away: hold SUB PAD and press a pad.
- Select without hearing it: hold VALUE and press a pad. The pattern is selected but stays silent.
What else works during playback
- Press REC to add to the pattern in real time. See Record a pattern as you play.
- Press SHIFT + REC to switch to step programming. See Program steps with TR-REC.
- Press SHIFT + PAD 9 to turn the metronome on or off. See Get a count-in and a click.
Key combinations
- Hold SUB PAD + PAD
- Changes to that pattern straight away.In pattern mode
- Hold VALUE + PAD
- Selects that pattern without playing it.In pattern mode
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Record a pattern as you play
Real-time recording keeps what you play on the pads, timing and all. Because it loops over the length you set, you can build a beat in passes: kick first, then snare, then whatever goes on top. Reach for it when the feel of your playing matters.
Record a new pattern
- Press PATTERN SELECT.
- Press REC. Every pad without a pattern blinks red.
- Press a blinking pad to choose where the pattern goes. The 404 goes into standby and opens the
RECORD SETTINGscreen. - Look at the mode shown on the screen and press REMAIN if it doesn’t read
Real-Time. The button stays lit forReal-Timeand blinks forTR-REC. - Set the tempo, length and timing options listed below.
- Press REC and play. The pattern loops at the length you chose, and each pass adds to what’s there instead of replacing it.
- Press EXIT when you’re done. Recording ends and the pattern saves itself to the pad, while playback carries on.
- Press EXIT again to stop playback.
Settings on the RECORD SETTING screen
- BPM
- The pattern’s tempo.CTRL 1 knobRange 40–200
- LENGTH
- How many measures the pattern runs for before it loops.CTRL 2 knobRange 1–64 measures
- STRENGTH
- Available when
QTZis aGRIDvalue. Decides how firmly your notes are pulled towards the grid. At 100% they land right on it.CTRL 3 knobRange 0–100% - SHFL RATE
- Replaces
STRENGTHwhenQTZis aSHUFFLEvalue. Moves the off-beats to add swing:0is straight, and somewhere from +10 to +16 usually feels good.CTRL 3 knobRange -50–+50 - TIME SIGN
- Hold SHIFT and turn CTRL 2. The pattern’s time signature.Range 1/4–7/4
- METRO VOL
- Hold SHIFT and turn CTRL 3. How loud the metronome is.Range 0–5
- QTZQuantize
- Tidies your timing as you record by lining notes up to the division you pick here. Nobody hits a pad perfectly every time, and this covers the difference. To correct timing after recording instead, see Tighten the timing after recording.VALUE knobRange Off, GRID 32, GRID 16.3, GRID 16, GRID 8.3, GRID 8, GRID 4.3, GRID 4, SHUFFLE 16, SHUFFLE 8
- REC MODE
- Press REMAIN to choose how the pattern gets recorded: by playing it here, or by programming steps in Program steps with TR-REC.Range Real-Time, TR-REC
While you’re recording
- Rehearse: press REC. The pattern keeps looping but nothing you play is kept, so you can practise the part. Press REC again to go back to recording.
- Undo: press SHIFT + PATTERN SELECT to take back what you just recorded, which is the quick fix for a badly timed take.
- Erase as it plays: press DEL for erase mode, then hold a pad. That pad’s notes are wiped for as long as you keep holding it. Press DEL again to leave erase mode.
- Check the settings: press RECORD SETTING, in rehearsal too, then EXIT to come back.
LENGTHcan’t be changed at this stage, so decide it before you start. - Play from outside: note messages arriving at the MIDI IN connector or the USB port get recorded as well. See Connect MIDI gear and sync tempo.
To add to a pattern you’ve already made, press REC while it plays. Recording doesn’t pick up from wherever the pattern happens to be: it waits for the start of the pattern, and the screen shows Wait for REC until then.
Key combinations
- SHIFT + PATTERN SELECT
- Undoes what you just recorded.While recording a pattern
- REC
- Switches between recording and rehearsal.While recording a pattern
- DEL
- Enters or leaves erase mode.While recording a pattern
- REMAIN
- Switches the recording method between
Real-TimeandTR-REC.On the pattern RECORD SETTING screen - SHIFT + CTRL 2
- Sets
TIME SIGN.On the pattern RECORD SETTING screen - SHIFT + CTRL 3
- Sets
METRO VOL.On the pattern RECORD SETTING screen
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Real-time recording, TR-REC, then recording and erasing effect and pad mute motion. From Roland’s Japanese channel, so expect Japanese; the only captions are auto-generated Japanese ones.
SP-404 Mk2 Beginner's Guide (Part 3): Patterns, Real Time Recording, TR-Rec Mode & Chaining
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Part 3 covers real-time recording and layering, project and bank tempo, cropping and copying, bouncing, TR-REC and chains.
The Roland SP-404 MK II Deep Dive tutorial guide
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Nearly two hours on projects, banks, patterns, playback modes and effects, with chapters to dip into. Uploaded just before 4.04, so there’s no looper or sound generator.
Get a count-in and a click
A count-in stops you having to land the first note the instant you press REC. The metronome then gives you a pulse to play against. Sampling has its own count-in, covered in Give yourself a count-in.
To choose a count-in, hold SHIFT and press PAD 10. Each press moves on to the next setting, in the order below.
Count-in settings
| Setting | How recording begins |
|---|---|
COUNTIN 1MEAS | One measure of count-in first. |
COUNTIN 2MEAS | Two measures of count-in first. |
COUNTIN WAIT | Recording holds off until you trigger a sample or the 404 detects audio from an external device, so your first hit sets the start. |
COUNTIN OFF | The moment you press REC, with no lead-in. |
Press SHIFT + PAD 9 to turn the metronome on or off. Its level is METRO VOL on the RECORD SETTING screen: hold SHIFT and turn CTRL 3.
The related settings in UTILITY > SYSTEM > CLICK
- Metronome:PTN
- Lets the metronome sound while you record a pattern.Range OFF, ON
- Metronome:REC
- Lets the metronome sound while you sample or resample, which includes resampling a pattern (Turn a pattern into a sample).Range OFF, ON
- Count-In:PTN
- How pattern recording begins, with the same choices as the table above.Range OFF, 1 MEAS, 2 MEAS, WAIT
The rest of that menu is in Every system setting.
Key combinations
- SHIFT + PAD 9
- Turns the metronome on or off.
- SHIFT + PAD 10
- Moves to the next count-in setting for pattern recording.In pattern mode
From the community
The Roland SP-404 MK II Deep Dive tutorial guide
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Nearly two hours on projects, banks, patterns, playback modes and effects, with chapters to dip into. Uploaded just before 4.04, so there’s no looper or sound generator.
Program steps with TR-REC
TR-REC swaps playing for placing. You pick a sample, then press pads to mark which steps it plays on, so nothing depends on your timing. That makes it a natural fit for drum patterns, and for any part you’d rather build than perform.
Start a new TR-REC pattern
- Press PATTERN SELECT.
- Press REC. Every pad without a pattern blinks red.
- Press a blinking pad to choose where the pattern goes. The
RECORD SETTINGscreen opens with the 404 in standby. - Press REMAIN until the mode on the screen reads
TR-REC. The button blinks in this mode. - Set the pattern options listed below.
- Press REC. TR-REC begins.
Pattern options, before you start
- BPM
- The pattern’s tempo.CTRL 1 knobRange 40–200
- LENGTH
- How many measures the pattern runs for.CTRL 2 knobRange 1–64 measures
- SHUFFLE
- Moves the off-beats to add swing.
0is straight, and somewhere from +10 to +16 usually feels good.CTRL 3 knobRange -50–+50 - TIME SIGN
- Hold SHIFT and turn CTRL 2. The pattern’s time signature.Range 1/4–7/4
- METRO VOL
- Hold SHIFT and turn CTRL 3. How loud the metronome is.Range 0–5
Place the notes
- Hold SUB PAD and press a pad to choose the sample you want to place.
- Dial in how that sample should sound, using the sample options below.
- Press pads to put the sample on those steps. A lit pad is a step that plays. Press a lit pad to clear its step.
- Turn VALUE to move to the next measure and carry on there.
BARon the screen shows where you are. - Choose the next sample with SUB PAD and do the same again.
- Press EXIT when you’re done. Recording ends and the pattern saves itself to the pad.
- Press EXIT again to stop playback.
Sample options, while you place notes
- SUBSTEP
- Only when
MODEisTRIG. Splits a step into smaller divisions and chooses which of them sound. See Split a step into quick repeats.CTRL 1 knob - HOLD STEP
- Only when
MODEisHOLD STEP. How many steps the sample lasts. The top of the range changes with your settings.CTRL 1 knobRange 1–32, LAST - PITCH
- The sample’s pitch.CTRL 2 knobRange -12–+12
- PITCH MODE
- Press PITCH/SPEED.
CHROMATICgives every step its own pitch: press VALUE to choose a scale, then hold VALUE and turn it to pick a note from that scale.PADlocks every step you enter to the onePITCHvalue.Range CHROMATIC, PAD - VELOCITY
- How hard the sample is hit.CTRL 3 knobRange 0–127
- BPM
- Hold SHIFT and turn CTRL 1. The pattern’s tempo.Range 40–200
- SHUFFLE
- Hold SHIFT and turn CTRL 2. The same swing setting as above.Range -50–+50
- START
- Hold SHIFT and turn CTRL 3. Moves the moment the sample begins playing. Anything other than 0% rules out substeps.Range -50–99%
- MODE
- Press REMAIN.
TRIGfires the sample on each step you light.HOLD STEPruns steps together into one long note, at the length set with CTRL 1, the same as tying two notes. InHOLD STEP, the 404 switches the sample’sGATEon for you (Gate and hold: what letting go of a pad does).Range TRIG, HOLD STEP
To hear one part on its own while you work, press HOLD: only the selected pad plays.
To program over a pattern that already exists, press SHIFT + REC while it plays. You land in TR-REC with the pattern still running. From there, Fix single notes with Microscope edits individual notes and Tap notes in from the REC button lets you tap new ones in.
Key combinations
- SHIFT + REC
- Switches to TR-REC, so you can add to the pattern that’s playing.While a pattern plays
- Hold SUB PAD + PAD
- Selects the sample to place.In TR-REC
- Hold VALUE + SUB PAD + PAD
- Selects the sample without playing it.In TR-REC
- DEL + A/F
- Deletes one measure of notes for the selected pad.In TR-REC
- DEL + B/G
- Deletes one measure of notes for all the pads.In TR-REC
- ROLL + CTRL 1
- Records the movement of CTRL 1 into the steps, when
MODEisTRIG.In TR-REC - ROLL + CTRL 2
- Records the movement of CTRL 2 into the steps, when
MODEisTRIG.In TR-REC - ROLL + CTRL 3
- Records the movement of CTRL 3 into the steps, when
MODEisTRIG.In TR-REC - SHIFT + CTRL 1
- Sets
BPM.In TR-REC - SHIFT + CTRL 2
- Sets
SHUFFLE.In TR-REC - SHIFT + CTRL 3
- Sets
START.In TR-REC - REMAIN
- Switches
MODEbetweenTRIGandHOLD STEP.In TR-REC - PITCH/SPEED
- Switches
PITCH MODEbetweenCHROMATICandPAD.In TR-REC - HOLD
- Lets you hear the selected pad on its own.In TR-REC
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【SP-404MKII】PATTERN SEQUENCER【How to Setup】
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Real-time recording, TR-REC, then recording and erasing effect and pad mute motion. From Roland’s Japanese channel, so expect Japanese; the only captions are auto-generated Japanese ones.
SP-404 Mk2 Beginner's Guide (Part 3): Patterns, Real Time Recording, TR-Rec Mode & Chaining
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Part 3 covers real-time recording and layering, project and bank tempo, cropping and copying, bouncing, TR-REC and chains.
SP404-MK2 - Step Sequencer FULL breakdown (Software v2.0)
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TR-REC as it shipped in 2.0: adding sounds, deleting, start offsets, substeps, pitch, velocity and step hold. Later additions such as microscope aren’t covered.
10 Killer tips for the SP404-MK2 TR-REC Mode
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Ten practical TR-REC tips from 2026, including soloing sounds, microscope mode, tap recording and combining pattern modes.
Split a step into quick repeats
A SUBSTEP value cuts one step into two, three or four parts and decides which parts make a sound. All of them sounding gives you a rapid flutter inside a single step, which is great on hi-hats. With only one sounding, you can place a hit later in the step without having to play it there.
Use one
- In Program steps with TR-REC, check that
MODEisTRIGandSTARTis at 0%. Substeps aren’t available otherwise. - Hold SUB PAD and press a pad to choose the sample.
- Turn CTRL 1 to choose a value from the tables below.
- Press the pad for the step you want it on.
In the Hits column, read each step left to right: ● is a part that sounds and ○ is a part that stays silent.
One or two parts
| Value | Hits | What you hear |
|---|---|---|
1 | ● | The step plays once, undivided. |
2 | ●● | Two hits. |
Three parts
| Value | Hits | What you hear |
|---|---|---|
3 a | ●●● | All three. |
3 b | ●○○ | The first only. |
3 c | ○●○ | The second only. |
3 d | ○○● | The third only. |
3 e | ●○● | The first and third, with a gap between. |
3 f | ●●○ | The first two. |
3 g | ○●● | The last two. |
Four parts
| Value | Hits | What you hear |
|---|---|---|
4 a | ●●●● | All four. |
4 b | ●○○○ | The first only. |
4 c | ○●○○ | The second only. |
4 d | ○○●○ | The third only. |
4 e | ○○○● | The fourth only. |
4 f | ●●○○ | The first two. |
4 g | ○●●○ | The middle two. |
4 h | ○○●● | The last two. |
4 i | ●●●○ | The first three. |
4 j | ○●●● | The last three. |
4 k | ●○●● | All but the second. |
4 l | ●●○● | All but the third. |
4 m | ●○○● | The two outer parts. |
4 n | ●○●○ | The first and third. |
4 o | ○●○● | The second and fourth. |
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TR-REC as it shipped in 2.0: adding sounds, deleting, start offsets, substeps, pitch, velocity and step hold. Later additions such as microscope aren’t covered.
Fix single notes with Microscope
Microscope zooms in on what’s recorded in a step, so you can change one note and leave everything around it alone. Use it to correct a wrong pitch, soften one hit, or shift a note’s timing, without programming the step again.
Edit a note
- Get into TR-REC. Program steps with TR-REC shows how, and SHIFT + REC does it for a pattern that’s playing.
- Hold SUB PAD and press a pad to choose the sample whose notes you want to edit.
- Hold PATTERN EDIT and press the pad for a step that already has a note on it. The Microscope screen opens.
- Make your changes with the controls below.
- Press EXIT to close Microscope.
Note settings
- ITEM
- When a step holds several notes, this chooses which one you’re editing. With one note in the step, it does nothing.CTRL 1 knob
- PITCH
- This note’s pitch.CTRL 2 knobRange -12–+12
- VELOCITY
- How hard this note hits.CTRL 3 knobRange 0–127
- Turn VALUE to shift when the note plays.
- Press DEL to remove the selected note.
Key combinations
- Hold PATTERN EDIT + PAD
- Opens Microscope on the notes in that step.In TR-REC
- DEL
- Deletes the selected note.On the Microscope screen
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10 Killer tips for the SP404-MK2 TR-REC Mode
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Ten practical TR-REC tips from 2026, including soloing sounds, microscope mode, tap recording and combining pattern modes.
Tap notes in from the REC button
Tap recording gives you a way to play a part by hand without leaving step programming. REC becomes the trigger: each press drops a note for the selected sample at that moment. It’s useful when a part is quicker to feel than to count out in steps.
Tap in a part
- Get into TR-REC as in Program steps with TR-REC.
- Hold SUB PAD and press a pad to choose the sample.
- Press REC at each point where you want a note.
Your taps don’t have to be perfect. Press RECORD SETTING to bring in these two timing settings:
Parameters
- Quantize
- Lines your taps up to a rhythmic division.CTRL 2 knob
- Shuffle
- Adds swing to them.CTRL 3 knob
Key combinations
- REC
- Records a note for the selected sample at that moment.In TR-REC
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Roland’s longest update video, at half an hour: the looper, sound generator, groove, microscope editing and much more. Converting SP-404SX/A projects from an SD card starts at 23:45.
10 Killer tips for the SP404-MK2 TR-REC Mode
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Ten practical TR-REC tips from 2026, including soloing sounds, microscope mode, tap recording and combining pattern modes.
Tighten the timing after recording
If a pattern you played in has samples starting ahead of or behind the beat, you don’t have to record it again. Quantising moves those notes onto a rhythmic grid after the fact. You choose which samples it touches and which stretch of the pattern, so one sloppy part can be fixed while the rest keeps its feel.
Quantise a pattern
- Press PATTERN SELECT.
- Press PATTERN EDIT.
- Press the pad of the pattern you want to fix. The pattern edit screen opens.
- Press RECORD SETTING to open the quantize screen. If it doesn’t appear, press the button once more.
- Press the pads of the samples you want to correct.
- Set the options listed below.
- Press VALUE. The screen asks
Quantize Pattern. - Turn VALUE to
OKand press it.
Quantize screen
- QTZQuantize
- The rhythmic division notes move to.
GRID 32means thirty-second notes andGRID 4.3means quarter-note triplets, and the otherGRIDvalues follow the same naming.SHUFFLE 16andSHUFFLE 8add a swing.CTRL 2 knobRange GRID 32, GRID 16.3, GRID 16, GRID 8.3, GRID 8, GRID 4.3, GRID 4, SHUFFLE 16, SHUFFLE 8 - STRStrength
- With a
GRIDvalue, 100% puts notes exactly on the grid, lower values leave them looser, and 0% changes nothing. With aSHUFFLEvalue, 50% spaces notes evenly and higher values lean towards a dotted rhythm.CTRL 3 knobRange 0–100% - QTZ.STARTQS on the screen
- Hold SHIFT and turn CTRL 2. Where the corrected range begins.
- QTZ.ENDQE on the screen
- Hold SHIFT and turn CTRL 3. Where the corrected range ends.
Key combinations
- RECORD SETTING
- Opens the quantize screen.On the pattern edit screen
- SHIFT + CTRL 2
- Sets
QTZ.START.On the quantize screen - SHIFT + CTRL 3
- Sets
QTZ.END.On the quantize screen
To correct your timing as you record instead, use QTZ in Record a pattern as you play. Note that swing is set differently there: SHFL RATE runs from -50 to +50 with 0 as straight, whereas STR here treats 50% as even.
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Record rolls into a pattern
The roll you use when playing live can also be captured, so a fill or a build plays back the same way every time. The pattern stores it as individual notes that recreate the roll. Setting up the roll itself is covered in Repeat a sample with rolls.
Record a roll
- Start real-time recording, as in Record a pattern as you play.
- Hold ROLL and press a pad. Or hold the pad first and then press ROLL.
Key combinations
- Hold ROLL + PAD
- Records a roll on that pad.While recording a pattern
- Hold PAD + ROLL
- Records a roll on the pad you’re holding.While recording a pattern
Automate your effect moves
EFX MOTION REC stores what you do to the effects along with the pattern: switching one on or off, and turning CTRL 1–CTRL 3. A filter sweep or a delay throw then happens on its own every time the pattern comes round, which frees your hands for something else. For how the effects themselves work, see How buses and effects fit together.
Record effect moves
- Press PATTERN SELECT. Pads holding patterns turn purple.
- Press the pad of the pattern you want to add moves to. It starts playing.
- Press REC. Real-time recording begins.
- Press MARK. The screen shows
MOTION REC START. - Work the effects while the pattern runs.
- Press EXIT to finish. The pattern carries on and your moves play back with it, which is called EFX MOTION PLAY.
Press START/END to decide whether recorded moves are heard. The button blinks when they play back, and it’s dark when they don’t.
Erase every effect move in a pattern
- Press PATTERN SELECT.
- Press PATTERN EDIT.
- Press the pad of the pattern. The pattern edit screen opens.
- Hold DEL and press MARK. The screen confirms with
Operation Completed!.
Erase the moves in one passage
- Press PATTERN SELECT. Pads holding patterns turn purple.
- Press the pad of the pattern. It starts playing.
- Press REC. Real-time recording begins.
- As the passage you want to clear arrives, press SHIFT + MARK. The screen shows
MOTION ERASE ON. - Where you want clearing to stop, press SHIFT + MARK again. The screen shows
MOTION ERASE OFF, and the moves between those two points are gone. - Press EXIT to finish.
Key combinations
- MARK
- Starts recording effect moves.While recording a pattern
- START/END
- Turns playback of recorded effect moves on or off.In pattern mode
- SHIFT + MARK
- Starts or stops erasing effect moves as the pattern runs.While recording a pattern
- DEL + MARK
- Deletes all the recorded effect moves from the pattern.On the pattern edit screen
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Roland’s walkthrough of 2.0, the update that brought TR-REC, motion recording and chromatic recording. The TR-REC chapter starts at 1:45.
Roland SP-404MKII V3.0 Update Overview
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Covers 3.0’s sequencer changes, one-shot playback, DJ mode cue points and quantising after recording, each with its own chapter.
【SP-404MKII】PATTERN SEQUENCER【How to Setup】
Roland | ローランド
Real-time recording, TR-REC, then recording and erasing effect and pad mute motion. From Roland’s Japanese channel, so expect Japanese; the only captions are auto-generated Japanese ones.
The Roland SP-404 MK II Deep Dive tutorial guide
XNB
Nearly two hours on projects, banks, patterns, playback modes and effects, with chapters to dip into. Uploaded just before 4.04, so there’s no looper or sound generator.
Automate pad mutes
PAD MUTE MOTION REC stores your pad mutes with the pattern, so a kick can drop out for two measures, or a part can come in late, without you touching anything. It’s a quick way to get variation from one pattern. Pad mute itself is explained in Mute a pad on the fly.
Record mutes
- Press PATTERN SELECT. Pads holding patterns turn purple.
- Press the pad of the pattern you want to work on. It starts playing.
- Press REC. Real-time recording begins.
- Hold SHIFT and press REVERSE and REMAIN. The screen shows
PAD MUTE MODE (MOTION REC). - As the pattern runs, press a sample’s pad to mute it and press it again to bring it back. Muted pads show red and the others show white.
- Press EXIT to finish. The pattern carries on with your mutes playing back, which is called PAD MUTE MOTION PLAY.
- Press EXIT again to go back to normal playback. The mutes stop being applied, but they stay stored in memory.
Erase every mute in a pattern
- Press PATTERN SELECT.
- Press PATTERN EDIT.
- Press the pad of the pattern. The pattern edit screen opens.
- Hold DEL and press REVERSE. The screen confirms with
Operation Completed!.
Erase one pad’s mutes in a passage
- Press PATTERN SELECT. Pads holding patterns turn purple.
- Press the pad of the pattern. It starts playing.
- Press REC. Real-time recording begins.
- Hold SHIFT and press REVERSE and REMAIN. The screen shows
PAD MUTE MODE (MOTION REC). - Press DEL. The screen changes to
PAD MUTE MODE (Motion ERASE)and the pads turn blue. - When the passage arrives, hold the pad you want to clear. Its recorded mutes are removed for as long as you hold it.
- Press DEL when you’re done. The screen returns to
PAD MUTE MODE (MOTION REC), and you’re recording mutes again.
Key combinations
- SHIFT + REVERSE + REMAIN
- Starts recording pad mutes.While recording a pattern
- DEL
- Switches between recording pad mutes and erasing them.In PAD MUTE MOTION REC
- DEL + REVERSE
- Deletes all the recorded pad mutes from the pattern.On the pattern edit screen
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Covers 3.0’s sequencer changes, one-shot playback, DJ mode cue points and quantising after recording, each with its own chapter.
【SP-404MKII】PATTERN SEQUENCER【How to Setup】
Roland | ローランド
Real-time recording, TR-REC, then recording and erasing effect and pad mute motion. From Roland’s Japanese channel, so expect Japanese; the only captions are auto-generated Japanese ones.
Change a pattern’s tempo, loop and length
The pattern edit screen is where you reshape a pattern after recording it. Try it at a new tempo, loop just the part you like, or double its length so you can add a variation to the second half.
Open the screen
- Press PATTERN SELECT.
- Press PATTERN EDIT.
- Press the pad of the pattern. The pattern edit screen opens.
- Turn the knobs to make your changes.
Pattern edit screen
- BPM
- The pattern’s tempo.CTRL 1 knobRange 40–200
- LOOP START
- The measure playback starts from. It only matters when
LENGTHis set shorter than the whole pattern.CTRL 2 knobRange 1–64 measures - LENGTH
- How many measures play.CTRL 3 knobRange 1, 2, 4, 8, 16, 32, 64 measures
Double a pattern with DUPLICATE
- On the pattern edit screen, press VALUE. A menu opens.
- Turn VALUE to
DUPLICATEand press it. A copy of the pattern is joined onto its end, so the pattern is now twice as long.
The same screen is your way in to cutting a pattern down, quantising, and erasing recorded effect moves or pad mutes.
From the community
The Roland SP-404 MK II Deep Dive tutorial guide
XNB
Nearly two hours on projects, banks, patterns, playback modes and effects, with chapters to dip into. Uploaded just before 4.04, so there’s no looper or sound generator.
Cut a pattern down to size
Setting LOOP START and LENGTH in Change a pattern’s tempo, loop and length only changes what plays. To actually get rid of what you’re not using, there are two tools: CROP throws away everything outside the range, and DEL removes chosen pads from inside it.
Keep only the range with CROP
- Press PATTERN SELECT.
- Press PATTERN EDIT.
- Press the pad of the pattern. The pattern edit screen opens.
- Use
LOOP STARTandLENGTHto mark the range you want to keep. - Press VALUE. A menu opens.
- Turn VALUE to
CROPand press it. Everything outside the range is deleted.
Delete from inside the loop range
- On the pattern edit screen, hold DEL. The pads inside the loop range turn blue.
- Keep holding DEL and press the pad you want to remove. It turns bright blue.
- Keep holding DEL and press VALUE. The pad you picked is deleted. Roland only calls it a “pad (pattern)” and doesn’t say exactly which notes go, so listen back afterwards.
Key combinations
- DEL + PAD
- Picks a pad inside the loop range for deletion.On the pattern edit screen
- DEL + VALUE
- Deletes the pad you picked.On the pattern edit screen
From the community
SP-404 Mk2 Beginner's Guide (Part 3): Patterns, Real Time Recording, TR-Rec Mode & Chaining
Chris Laps
Part 3 covers real-time recording and layering, project and bank tempo, cropping and copying, bouncing, TR-REC and chains.
Switch pattern banks
Patterns are spread across ten banks, A to J, so you can keep the parts of a track together or keep whole ideas apart. The five bank buttons work just as they do for samples (Play a pad and switch banks).
With PATTERN SELECT lit, press a BANK button. Press the same button again to flip to its other bank. The button stays lit when you’re in banks A–E and blinks when you’re in banks F–J.
Which button reaches which bank
| Button | Lit | Blinking |
|---|---|---|
| A/F | A | F |
| B/G | B | G |
| C/H | C | H |
| D/I | D | I |
| E/J | E | J |
Banks aren’t walls. A chain can mix patterns from different banks, and you can copy or swap patterns between them.
From the community
- To line a pattern bank up with its sample bank, go into record on the pattern bank you want: the 404 moves to the matching pad bank once recording starts. Otherwise PATTERN SELECT just flips between the last pattern bank and sample bank you visited. via NearTao on YouTube
String patterns into a chain
A pattern chain plays a list of patterns in the order you give it, so a whole arrangement can run without you touching a pad. One chain holds up to 16 patterns, and a project can store up to 16 chains.
Build a chain
- Record the patterns you want to use (Record a pattern as you play, Program steps with TR-REC).
- Press PATTERN SELECT.
- Hold HOLD and press a pad to choose a chain number from 1 to 16. The
PATTERN CHAINscreen opens. - Press pads to add patterns to the chain. To use a pattern from another bank, press its BANK button first.
- Press EXIT. The chain saves itself and you’re back on the
PATTERN SELECTscreen.
Editing a chain on the PATTERN CHAIN screen
- Turn VALUE to move the cursor. New patterns can go in at the cursor position.
- Press DEL to take out the pattern at the cursor.
- An asterisk (
*) at the top right shows the chain has been edited. Press SHIFT + DEL to undo those edits.
Press REMAIN on the same screen to turn repeat on or off, and the screen shows which of these applies. Roland’s manual is unclear on the rest: it heads its list of these settings with START/END and doesn’t say how to reach REPEAT Current, so try that button if REMAIN alone doesn’t get you there.
Repeat settings
| On screen | What plays |
|---|---|
REPEAT All | The whole chain, going back to the start each time it finishes. |
REPEAT Current | Just the current pattern, over and over. Its pad is lit pink. |
REPEAT Off | The whole chain once, then playback ends. |
Play a chain
- Press PATTERN SELECT.
- Hold HOLD and press the pad for the chain number. The
PATTERN CHAINscreen opens. - Press SUB PAD to start the chain. Press it again to stop.
- Press EXIT to go back to the
PATTERN SELECTscreen.
A chain can become a sample in the same two ways as a single pattern. Turn a pattern into a sample explains which to choose. Bouncing a chain arrived in system 4.04.
Resample a chain as it plays
- Press PATTERN SELECT.
- Press RESAMPLE.
- Press RECORD SETTING. The input setting screen opens.
- Turn CTRL 2 to set
ROUTINGtoMix. - Press EXIT.
- Press an empty pad, which blinks red, to hold the new sample. It starts blinking purple and the screen shows
Press Pad to START. - Hold HOLD and press the pad for the chain number. The
PATTERN CHAINscreen opens. - Press SUB PAD. Sampling starts along with the chain. Press EXIT if you change your mind.
- Press REC to finish, and the new sample lands on that pad.
Bounce a chain
- Press PATTERN SELECT.
- Press COPY.
- Hold HOLD and press the pad for the chain number, from 1 to 16.
- Press the pad that should receive the sample. Choose an empty one: bouncing a single pattern erases any sample already on the destination pad (Turn a pattern into a sample), so assume a chain does the same.
- Press COPY. The chain is converted and the sample is assigned to that pad.
Key combinations
- Hold HOLD + PAD
- Opens that pattern chain.In pattern mode
- SUB PAD
- Plays or stops the chain.On the PATTERN CHAIN screen
- REMAIN
- Turns repeat on or off.On the PATTERN CHAIN screen
- DEL
- Removes the pattern at the cursor.On the PATTERN CHAIN screen
- SHIFT + DEL
- Undoes your edits to the chain.On the PATTERN CHAIN screen
From the community
SP-404 Mk2 Beginner's Guide (Part 3): Patterns, Real Time Recording, TR-Rec Mode & Chaining
Chris Laps
Part 3 covers real-time recording and layering, project and bank tempo, cropping and copying, bouncing, TR-REC and chains.
The Roland SP-404 MK II Deep Dive tutorial guide
XNB
Nearly two hours on projects, banks, patterns, playback modes and effects, with chapters to dip into. Uploaded just before 4.04, so there’s no looper or sound generator.
Getting beats FINISHED on the SP404-MK2 (Pattern Chains & Bouncing)
SPVIDZ
Getting a beat finished: building, saving and playing pattern chains, then bouncing them to a sample.
Turn a pattern into a sample
A pattern is only instructions until you turn it into audio. Do that and the whole performance sits on one pad, ready to be treated like any other sample. There are two routes, and the question that decides between them is mostly whether you want effects in the result.
Bounce or resample?
| How they differ | Bounce | Resample |
|---|---|---|
| What you get | Always the entire pattern. | As much as you let run. You decide when to stop. |
| Effects | Left out. BUS 1–4 are bypassed for you. | Included. |
| While it works | Silence. Long patterns can take some time. | The pattern plays, so you hear what you’re capturing. |
Choose a bounce when
- You want a clean copy of the pattern, with room to add different effects later.
- You want the whole thing and don’t need to listen as it converts.
- You only want some of the pads: a bounce can be combined with the extraction described in Swap, copy, extract and delete patterns.
Choose a resample when
- The effects are part of the sound and you want them in the sample.
- You only want part of the pattern, and would rather stop by ear at the point you like.
Resample a pattern
- Press PATTERN SELECT.
- Press RESAMPLE.
- Press RECORD SETTING. The input setting screen opens.
- Turn CTRL 2 to set
ROUTINGtoMix. - Press EXIT.
- Press a pad that’s blinking red. These are the empty pads, and this one receives the sample. The screen shows
Press Pad to START, and pads holding a pattern blink blue. - Press the pad of the pattern. Sampling starts as the pattern starts. Press EXIT if you change your mind.
- Press REC when you want to stop.
Good to know when resampling
- With
ROUTINGset toExtIn, the sample only takes what’s coming in from an external device. The pattern’s sound stays out of it, so you can capture yourself playing along with the pattern as a backing track. - The metronome follows
Metronome:REChere, and SHIFT + PAD 9 turns it on or off (Get a count-in and a click). - More on resampling in general is in Resample what the 404 is playing.
Bounce a pattern
- With PATTERN SELECT lit, press COPY. The
COPYscreen opens. - Press the pad of the pattern you want to convert.
- Press PATTERN SELECT. The destination on the screen changes to
SAMPLE. Pads that already hold a sample glow dim blue, and empty ones blink blue. - Press the pad that should receive the sample. To reach another bank, press its BANK button first. To reach another project, turn CTRL 3. Press EXIT if you change your mind.
- Press VALUE or COPY. The pattern is converted and the sample is assigned to that pad.
Key combinations
- PATTERN SELECT
- Switches the destination from a pattern to a sample, turning the copy into a bounce.On the pattern COPY screen
To do this with a whole run of patterns, see String patterns into a chain. To get a pattern out as audio pad by pad, see Export a pattern as stems.
From the community
Roland SP-404MKII V3.0 Update Overview
RolandChannel
Covers 3.0’s sequencer changes, one-shot playback, DJ mode cue points and quantising after recording, each with its own chapter.
SP-404 Mk2 Beginner's Guide (Part 3): Patterns, Real Time Recording, TR-Rec Mode & Chaining
Chris Laps
Part 3 covers real-time recording and layering, project and bank tempo, cropping and copying, bouncing, TR-REC and chains.
Getting beats FINISHED on the SP404-MK2 (Pattern Chains & Bouncing)
SPVIDZ
Getting a beat finished: building, saving and playing pattern chains, then bouncing them to a sample.
Swap, copy, extract and delete patterns
Sooner or later, the pattern you want is on the wrong pad, or you need a safe copy before trying something drastic. These jobs all happen with PATTERN SELECT lit, because the same buttons act on samples otherwise (Swap and copy pads and banks, Protect banks and delete samples).
Swap two patterns
- Stop the pattern if one is playing.
- Hold SHIFT and press PAD 5. The
EXCHANGEscreen opens. - Press the two pads, one after the other. To swap across banks, press the other BANK button before pressing that pad. Press EXIT if you change your mind.
- Press VALUE or COPY. The two pads trade patterns.
Copy a pattern to another pad
- Press COPY. The
COPYscreen opens. - Press the pad you’re copying from, then the pad you’re copying to. To reach another bank, press its BANK button before pressing the destination pad. To reach another project, turn CTRL 3. Press EXIT if you change your mind.
- Press VALUE or COPY. A pad with no sample assigned can be copied this way too.
Make a new pattern from just some of its pads
- Press COPY, then the pad of the source pattern, then the pad where the new pattern should go. As with a copy, you can press a BANK button or turn CTRL 3 to save to another bank or project, and press EXIT to back out.
- Press REMAIN. The pads this pattern uses glow dim white.
- Press the pads you want to keep. They turn full white.
- Press REMAIN.
- Press VALUE or COPY. The new pattern is saved with only those samples switched on.
That’s handy for pulling the drums out of a busy pattern. It also works with a bounce, as noted in Turn a pattern into a sample.
Copy a whole bank of patterns
- Stop the pattern if one is playing.
- Hold COPY and press EXIT. The
COPY BANKscreen opens. - Press the BANK button of the bank you’re copying from.
- Turn VALUE clockwise to move the cursor.
- Press the BANK button of the bank you’re copying to.
- Press VALUE or COPY.
Protect a bank
- Press a BANK button to select the bank. For banks F–J, press it twice so that it blinks.
- Hold SHIFT and press COPY. A confirmation message appears. Press EXIT to back out.
- Turn VALUE to
OKand press it.
A protected bank’s samples and patterns are locked: no copying, no overwriting through edits and no accidental deletion. It’s switched bank by bank and always covers both samples and patterns. Repeat the steps to lift it. See Protect banks and delete samples.
Delete a pattern
- Stop the pattern if one is playing.
- Press DEL. The
DELETEscreen opens. - Press the pad holding the pattern. Press EXIT if you change your mind.
- Press VALUE or DEL.
Delete a whole bank of patterns
- Stop the pattern if one is playing.
- Hold DEL and press EXIT. The
DELETE BANKscreen opens. - Press the BANK button of the bank to clear.
- Press VALUE.
Key combinations
- SHIFT + PAD 5
- Opens the
EXCHANGEscreen, for swapping the patterns on two pads.In pattern mode - COPY + EXIT
- Opens the
COPY BANKscreen, for duplicating a whole bank of patterns.In pattern mode - DEL + EXIT
- Opens the
DELETE BANKscreen, for clearing a whole bank of patterns.In pattern mode - REMAIN
- Lets you choose which of the pattern’s pads to keep.On the pattern COPY screen
From the community
Roland SP-404MKII V3.0 Update Overview
RolandChannel
Covers 3.0’s sequencer changes, one-shot playback, DJ mode cue points and quantising after recording, each with its own chapter.
